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Sound Radix Releases Drum Leveler Plug-In

Sound Radix has released a different type of transient design plug-in for drum and percussion tracks, and loops. In the mixing process, drums can be a challenge to tweak – especially in stereo tracks....

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Video Tutorial: Ducking Delays, Dynamic Delays and Other Automated FX

(This is second in a series of video tutorials for SonicScoop by producer/mixer/engineer Jake Antelis. See his first one here, “Editing Trills in Melodyne with Shortcuts for Speed & Efficiency.”)...

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DAW Evolution: Cakewalk Launches New Membership Model + 3 New Versions of SONAR

Cakewalk is making a strong break with DAW tradition — the company has launched an evolved audio software model with their new SONAR Membership program. This is NOT a subscription, which according to...

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Music as Medicine: How Performing and Listening Treat Trauma

In the summer of 2012, my father passed me a well-worn copy of New York magazine with a provocative cover story by Michael Wolff titled “A Life Worth Ending”. In the story, Wolff chronicles his...

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Rupert Neve Designs Announces RNDI DI Box and R6 500 Rack for NAMM 2015

As NAMM 2015 approaches, audio companies are gearing up to show off new tech, including a few firsts. Among these is the RNDI from Rupert Neve Designs. The new DI from RND is designed with a class-A...

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Early Adopters: The Bunker Studio Boosts Its SSL 4000 With Automan Automation

The Bunker Studio in South Williamsburg, Brooklyn has never been one to hunker down. From the launch of its 3,000 foot space in 2012, to its swap from an Auditronics 501 console to a small frame SSL...

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Augspurger Monitors Debuts Duo 8 “Mini-Main” System

The sound of Augspurger is still massive – but the famed speakers are getting more and more manageable for compact spaces. The Duo 8, shown here atop the optional S12 sub, is set to debut at NAMM. At...

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Jazz in The Studio: Preserving the Sound – From Louis Armstrong to Wayne...

When you think of jazz music, Louis Armstrong is probably one of the first names that come to mind, and not because he stands among the genre’s best musicians, but because he was a crowd pleaser, a...

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Hardware/Software Shootout and Review: Thermionic Culture Vulture

The Culture Vulture is a unique piece of boutique hardware dedicated to adding all-valve induced harmonic distortion to sources. It was first introduced by Thermionic Culture in 1998 and has since seen...

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Universal Audio Introduces Apollo Expanded Software at NAMM 2015

As part of UAD Software v8.0, Universal Audio is bringing new compatibility options into 2015 with their Apollo Expanded software – exclusively for Apollo interfaces. This will allow users to daisy...

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Hal Leonard Ships “The Ultimate Live Sound Operator’s Handbook, 2nd Edition”

Hal Leonard Books has introduced a second edition of The Ultimate Live Sound Operator’s Handbook($39.99), by veteran artist/engineer/educator Bill Gibson. The 420-page book is an updated edition which...

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Live Sound Outlook, 2013: What the Audio Pros Can Expect

Why Danny Garcia of "First Live Guide" thinks the engineer is more important than ever. The post Live Sound Outlook, 2013: What the Audio Pros Can Expect appeared first on SonicScoop.

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Icons: Steve Remote – Pioneering Mobile Production with Aura-Sonic

The heart of remote production beats powerfully in Queens. The post Icons: Steve Remote – Pioneering Mobile Production with Aura-Sonic appeared first on SonicScoop.

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Hal Leonard Ships “The Ultimate Live Sound Operator’s Handbook, 2nd Edition”

Hal Leonard Books has introduced a second edition of The Ultimate Live Sound Operator’s Handbook($39.99), by veteran artist/engineer/educator Bill Gibson. The second edition of Bill Gibson's "Live...

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Live Sound Outlook, 2013: What the Audio Pros Can Expect

LOWER EAST SIDE, MANHATTAN: Long before, long after — and often on the very same day — artists who hit the studio are hitting the stage. Danny Garcia loves it in the live sound trenches. For a look at...

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Icons: Steve Remote – Pioneering Mobile Production with Aura-Sonic

Sound wasn’t meant to stand still. Neither, it seems, is Steve Remote, which may explain his love affair with the audible force that rushes through the air at 1,126 feet per second. And while the...

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